{"id":188,"date":"2015-01-11T20:18:12","date_gmt":"2015-01-11T19:18:12","guid":{"rendered":"https:\/\/www.lesestunden.de\/?page_id=188"},"modified":"2026-09-02T01:12:12","modified_gmt":"2026-09-01T23:12:12","slug":"rezensionen","status":"publish","type":"page","link":"https:\/\/www.lesestunden.de\/en\/reviews\/","title":{"rendered":"Reviews"},"content":{"rendered":"\r\n
\r\n

Classics<\/h2>\r\n\r\n\r\n\r\n
\r\n\r\n\r\n
\r\n
\"A<\/a><\/figure>\r\n\r\n\r\n\r\n

A Winter in Majorca<\/a><\/p>\r\n\r\n\r\n\r\n

George Sand<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Aufzeichnungen<\/a><\/figure>\r\n\r\n\r\n\r\n

Notes from Underground<\/a><\/p>\r\n\r\n\r\n\r\n

Fjodor M. Dostojewski<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Fall of the House of Usher<\/a><\/p>\r\n\r\n\r\n\r\n

Edgar Allan Poe<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Nanon<\/a><\/figure>\r\n\r\n\r\n\r\n

Nanon<\/a><\/p>\r\n\r\n\r\n\r\n

George Sand<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Love<\/a><\/figure>\r\n\r\n\r\n\r\n

Love and Salt Water<\/a><\/p>\r\n\r\n\r\n\r\n

Ethel Wilson<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Lover<\/a><\/p>\r\n\r\n\r\n\r\n

Marguerite Duras<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Handmaid’s Tale<\/a><\/p>\r\n\r\n\r\n\r\n

Margaret Atwood<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Dubliners<\/a><\/figure>\r\n\r\n\r\n\r\n

Dubliners<\/a><\/p>\r\n\r\n\r\n\r\n

James Joyce<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Fruits of the Sea<\/a><\/p>\r\n\r\n\r\n\r\n

\u00c9mile Zola<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Mystery of the Sea<\/a><\/p>\r\n\r\n\r\n\r\n

Bram Stoker<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Farewell<\/a><\/figure>\r\n\r\n\r\n\r\n

Farewell<\/a><\/p>\r\n\r\n\r\n\r\n

Sebastian Haffner<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Flight<\/a><\/p>\r\n\r\n\r\n\r\n

Gaito Gasdanow<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Lolita<\/a><\/figure>\r\n\r\n\r\n\r\n

Lolita<\/a><\/p>\r\n\r\n\r\n\r\n

Vladimir Nabokov<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Masque of the Red Death<\/a><\/p>\r\n\r\n\r\n\r\n

Edgar Allan Poe<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"P\u00e8re<\/a><\/figure>\r\n\r\n\r\n\r\n

P\u00e8re Goriot<\/a><\/p>\r\n\r\n\r\n\r\n

Honor\u00e9 de Balzac<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Brothers Karamazov<\/a><\/p>\r\n\r\n\r\n\r\n

Fjodor Dostojewski<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Fate of Salome<\/a><\/p>\r\n\r\n\r\n\r\n

Gaito Gasdanow<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Parrot Book<\/a><\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Book of Adventures<\/a><\/p>\r\n\r\n\r\n\r\n

Elinor Mordaunt<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Princess of Cleves<\/a><\/p>\r\n\r\n\r\n\r\n

Madame de La Fayette<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Love<\/a><\/figure>\r\n\r\n\r\n\r\n

Love Stories<\/a><\/p>\r\n\r\n\r\n\r\n

Selma Lagerl\u00f6f<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Turned Day<\/a><\/p>\r\n\r\n\r\n\r\n

Marcel Proust<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Gentleman<\/a><\/figure>\r\n\r\n\r\n\r\n

Gentleman Overboard<\/a><\/p>\r\n\r\n\r\n\r\n

Herbert Clyde Lewis<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The World of Yesterday<\/a><\/p>\r\n\r\n\r\n\r\n

Stefan Zweig<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Dune<\/a><\/figure>\r\n\r\n\r\n\r\n

Dune<\/a><\/p>\r\n\r\n\r\n\r\n

Frank Herbert<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Bed with the Golden Leg<\/a><\/p>\r\n\r\n\r\n\r\n

Zigmunds Skujins<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Winnetou<\/a><\/figure>\r\n\r\n\r\n\r\n

Winnetou<\/a><\/p>\r\n\r\n\r\n\r\n

Karl May<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The History of a Journey<\/a><\/p>\r\n\r\n\r\n\r\n

Gaito Gasdanow<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Cotton Pickers<\/a><\/p>\r\n\r\n\r\n\r\n

B. Traven<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Spring<\/a><\/figure>\r\n\r\n\r\n\r\n

Spring Feelings<\/a><\/p>\r\n\r\n\r\n\r\n

Anton \u010cechov<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Wanderer on the Ice<\/a><\/p>\r\n\r\n\r\n\r\n

Volter Kilpi<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Deephaven<\/a><\/figure>\r\n\r\n\r\n\r\n

Deephaven<\/a><\/p>\r\n\r\n\r\n\r\n

Sarah Orne Jewett<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Around<\/a><\/figure>\r\n\r\n\r\n\r\n

Around the World in Eighty Days<\/a><\/p>\r\n\r\n\r\n\r\n

Jules Verne<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Russian<\/a><\/figure>\r\n\r\n\r\n\r\n

Russian Love Stories<\/a><\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Memoirs<\/a><\/figure>\r\n\r\n\r\n\r\n

Memoirs of a Madman<\/a><\/p>\r\n\r\n\r\n\r\n

Gustave Flaubert<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Reeds<\/a><\/figure>\r\n\r\n\r\n\r\n

Reeds in the Wind<\/a><\/p>\r\n\r\n\r\n\r\n

Grazia Deledda<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Five<\/a><\/figure>\r\n\r\n\r\n\r\n

Five Weeks in a Balloon<\/a><\/p>\r\n\r\n\r\n\r\n

Jules Verne<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Partytime:<\/a><\/figure>\r\n\r\n\r\n\r\n

Partytime: Stories from the Roaring Twenties<\/a><\/p>\r\n\r\n\r\n\r\n

F. Scott Fitzgerald<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Innocents Abroad<\/a><\/p>\r\n\r\n\r\n\r\n

Mark Twain<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Black<\/a><\/figure>\r\n\r\n\r\n\r\n

Black Swans<\/a><\/p>\r\n\r\n\r\n\r\n

Gaito Gasdanow<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Awakening<\/a><\/figure>\r\n\r\n\r\n\r\n

Awakening<\/a><\/p>\r\n\r\n\r\n\r\n

Gaito Gasdanow<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"A<\/a><\/figure>\r\n\r\n\r\n\r\n

A Common Story<\/a><\/p>\r\n\r\n\r\n\r\n

Iwan Gontscharow<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Rider on the White Horse<\/a><\/p>\r\n\r\n\r\n\r\n

Theodor Storm<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Nigger of the ‘Narcissus’<\/a><\/p>\r\n\r\n\r\n\r\n

Joseph Conrad<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Mali,<\/a><\/figure>\r\n\r\n\r\n\r\n

Mali, the Snake Charmer<\/a><\/p>\r\n\r\n\r\n\r\n

Louis Rousselet<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"All<\/a><\/figure>\r\n\r\n\r\n\r\n

All Quiet on the Western Front<\/a><\/p>\r\n\r\n\r\n\r\n

Erich Maria Remarque<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Treasure of the Sierra Madre<\/a><\/p>\r\n\r\n\r\n\r\n

B. Traven<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Robinson<\/a><\/figure>\r\n\r\n\r\n\r\n

Robinson Crusoe<\/a><\/p>\r\n\r\n\r\n\r\n

Daniel Defoe<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Pilgrims<\/a><\/p>\r\n\r\n\r\n\r\n

Gaito Gasdanow<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Wrath of the Sea<\/a><\/p>\r\n\r\n\r\n\r\n

Bram Stoker<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Eight<\/a><\/figure>\r\n\r\n\r\n\r\n

Eight Hundred Leagues on the Amazon<\/a><\/p>\r\n\r\n\r\n\r\n

Jules Verne<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Doctor<\/a><\/figure>\r\n\r\n\r\n\r\n

Doctor Zhivago<\/a><\/p>\r\n\r\n\r\n\r\n

Boris Pasternak<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Typee<\/a><\/figure>\r\n\r\n\r\n\r\n

Typee<\/a><\/p>\r\n\r\n\r\n\r\n

Herman Melville<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Love<\/a><\/figure>\r\n\r\n\r\n\r\n

Love in the Night: and other Love Stories<\/a><\/p>\r\n\r\n\r\n\r\n

F. Scott Fitzgerald<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Victoria<\/a><\/figure>\r\n\r\n\r\n\r\n

Victoria<\/a><\/p>\r\n\r\n\r\n\r\n

Knut Hamsun<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Smoke<\/a><\/figure>\r\n\r\n\r\n\r\n

Smoke Bellew<\/a><\/p>\r\n\r\n\r\n\r\n

Jack London<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Ripening Seed<\/a><\/p>\r\n\r\n\r\n\r\n

Colette<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Daphnis<\/a><\/figure>\r\n\r\n\r\n\r\n

Daphnis and Chloe<\/a><\/p>\r\n\r\n\r\n\r\n

Longos<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Age of Innocence<\/a><\/p>\r\n\r\n\r\n\r\n

Edith Wharton<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Novellas<\/a><\/figure>\r\n\r\n\r\n\r\n

Novellas<\/a><\/p>\r\n\r\n\r\n\r\n

Stefan Zweig<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Black Glove<\/a><\/p>\r\n\r\n\r\n\r\n

Vladimir Odoevskij<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"A<\/a><\/figure>\r\n\r\n\r\n\r\n

A House of Gentlefolk<\/a><\/p>\r\n\r\n\r\n\r\n

Iwan Turgenjew<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Devil’s Comedy \u2013 The Pact: Two Grotesques<\/a><\/p>\r\n\r\n\r\n\r\n

Honor\u00e9 de Balzac<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Beauty<\/a><\/figure>\r\n\r\n\r\n\r\n

Beauty and the Beast<\/a><\/p>\r\n\r\n\r\n\r\n

Gabrielle-Suzanne Barbot de Villeneuve<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Fairy<\/a><\/figure>\r\n\r\n\r\n\r\n

Fairy Tales and Poems by J. R. R. Tolkien<\/a><\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Agnes<\/a><\/figure>\r\n\r\n\r\n\r\n

Agnes Grey<\/a><\/p>\r\n\r\n\r\n\r\n

Anne Bront\u00eb<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Lord of the Rings<\/a><\/p>\r\n\r\n\r\n\r\n

J. R. R. Tolkien<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Parisian<\/a><\/figure>\r\n\r\n\r\n\r\n

Parisian Symphony<\/a><\/p>\r\n\r\n\r\n\r\n

Ir\u00e8ne N\u00e9mirovsky<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Scarlet Letter<\/a><\/p>\r\n\r\n\r\n\r\n

Nathaniel Hawthorne<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Fanny<\/a><\/figure>\r\n\r\n\r\n\r\n

Fanny<\/a><\/p>\r\n\r\n\r\n\r\n

Ernest Feydeau<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Hobbit<\/a><\/p>\r\n\r\n\r\n\r\n

J. R. R. Tolkien<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Modeste<\/a><\/figure>\r\n\r\n\r\n\r\n

Modeste Mignon<\/a><\/p>\r\n\r\n\r\n\r\n

Honor\u00e9 de Balzac<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Charterhouse of Parma<\/a><\/p>\r\n\r\n\r\n\r\n

Stendhal<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Manon<\/a><\/figure>\r\n\r\n\r\n\r\n

Manon Lescaut<\/a><\/p>\r\n\r\n\r\n\r\n

Abb\u00e9 Pr\u00e9vost<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Heart<\/a><\/figure>\r\n\r\n\r\n\r\n

Heart of a Dog<\/a><\/p>\r\n\r\n\r\n\r\n

Michail Bulgakow<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"A<\/a><\/figure>\r\n\r\n\r\n\r\n

A Woman of the World<\/a><\/p>\r\n\r\n\r\n\r\n

Henry James<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Moby-Dick;<\/a><\/figure>\r\n\r\n\r\n\r\n

Moby-Dick; or, The Whale<\/a><\/p>\r\n\r\n\r\n\r\n

Herman Melville<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Novellas<\/a><\/figure>\r\n\r\n\r\n\r\n

Novellas Volume 2<\/a><\/p>\r\n\r\n\r\n\r\n

Guy de Maupassant<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Overboard<\/a><\/figure>\r\n\r\n\r\n\r\n

Overboard<\/a><\/p>\r\n\r\n\r\n\r\n

Rudyard Kipling<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Wizard of Oz<\/a><\/p>\r\n\r\n\r\n\r\n

L. Frank Baum<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Those<\/a><\/figure>\r\n\r\n\r\n\r\n

Those Without Shadows<\/a><\/p>\r\n\r\n\r\n\r\n

Fran\u00e7oise Sagan<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"From<\/a><\/figure>\r\n\r\n\r\n\r\n

From Sea to Sea<\/a><\/p>\r\n\r\n\r\n\r\n

Rudyard Kipling<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Alice's<\/a><\/figure>\r\n\r\n\r\n\r\n

Alice’s Adventures in Wonderland & Through the Looking-Glass<\/a><\/p>\r\n\r\n\r\n\r\n

Lewis Caroll und Floor Rieder<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Novellas<\/a><\/figure>\r\n\r\n\r\n\r\n

Novellas Volume 1<\/a><\/p>\r\n\r\n\r\n\r\n

Guy de Maupassant<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Les<\/a><\/figure>\r\n\r\n\r\n\r\n

Les Mis\u00e9rables<\/a><\/p>\r\n\r\n\r\n\r\n

Victor Hugo<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"By<\/a><\/figure>\r\n\r\n\r\n\r\n

By the Open Sea<\/a><\/p>\r\n\r\n\r\n\r\n

August Strindberg<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Rider on the White Horse<\/a><\/p>\r\n\r\n\r\n\r\n

Theodor Storm<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Great Gatsby<\/a><\/p>\r\n\r\n\r\n\r\n

F. Scott Fitzgerald<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"At<\/a><\/figure>\r\n\r\n\r\n\r\n

At Sea<\/a><\/p>\r\n\r\n\r\n\r\n

Guy de Maupassant<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"A<\/a><\/figure>\r\n\r\n\r\n\r\n

A Life<\/a><\/p>\r\n\r\n\r\n\r\n

Guy de Maupassant<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Shipwrecks<\/a><\/figure>\r\n\r\n\r\n\r\n

Shipwrecks<\/a><\/p>\r\n\r\n\r\n\r\n

Alexandre Dumas<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"A<\/a><\/figure>\r\n\r\n\r\n\r\n

A Love Adventure<\/a><\/p>\r\n\r\n\r\n\r\n

Alexandre Dumas<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Lady of the Camellias<\/a><\/p>\r\n\r\n\r\n\r\n

Alexandre Dumas<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Horcynus<\/a><\/figure>\r\n\r\n\r\n\r\n

Horcynus Orca<\/a><\/p>\r\n\r\n\r\n\r\n

Stefano D\u2019Arrigo<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"\"Fell<\/a><\/figure>\r\n\r\n\r\n\r\n

“Fell into the Arctic Ocean three times today”: Diary of an Arctic Voyage<\/a><\/p>\r\n\r\n\r\n\r\n

Arthur Conan Doyle<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Effi<\/a><\/figure>\r\n\r\n\r\n\r\n

Effi Briest<\/a><\/p>\r\n\r\n\r\n\r\n

Theodor Fontane<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Wuthering<\/a><\/figure>\r\n\r\n\r\n\r\n

Wuthering Heights<\/a><\/p>\r\n\r\n\r\n\r\n

Emily Bront\u00eb<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Madame<\/a><\/figure>\r\n\r\n\r\n\r\n

Madame Bovary<\/a><\/p>\r\n\r\n\r\n\r\n

Gustave Flaubert<\/p>\r\n<\/div><\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

Novels<\/h2>\r\n\r\n\r\n\r\n
\r\n
\r\n
\"Small<\/a><\/figure>\r\n\r\n\r\n\r\n

Small Things Like These<\/a><\/p>\r\n\r\n\r\n\r\n

Claire Keegan<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"There<\/a><\/figure>\r\n\r\n\r\n\r\n

There There<\/a><\/p>\r\n\r\n\r\n\r\n

Tommy Orange<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Time<\/a><\/figure>\r\n\r\n\r\n\r\n

Time Shelter<\/a><\/p>\r\n\r\n\r\n\r\n

Georgi Gospodinov<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Yellowface<\/a><\/figure>\r\n\r\n\r\n\r\n

Yellowface<\/a><\/p>\r\n\r\n\r\n\r\n

Rebecca F. Kuang<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Washington<\/a><\/figure>\r\n\r\n\r\n\r\n

Washington Black<\/a><\/p>\r\n\r\n\r\n\r\n

Esi Edugyan<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Babel<\/a><\/figure>\r\n\r\n\r\n\r\n

Babel<\/a><\/p>\r\n\r\n\r\n\r\n

Rebecca F. Kuang<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"La<\/a><\/figure>\r\n\r\n\r\n\r\n

La Maison<\/a><\/p>\r\n\r\n\r\n\r\n

Emma Becker<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Quartet of Lovers<\/a><\/p>\r\n\r\n\r\n\r\n

Carlos Franz<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Name of the Wind<\/a><\/p>\r\n\r\n\r\n\r\n

Patrick Rothfuss<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Split<\/a><\/figure>\r\n\r\n\r\n\r\n

Split Tooth<\/a><\/p>\r\n\r\n\r\n\r\n

Tanya Tagaq<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Pan's<\/a><\/figure>\r\n\r\n\r\n\r\n

Pan’s Labyrinth<\/a><\/p>\r\n\r\n\r\n\r\n

Cornelia Funke und Guillermo del Toro<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"4<\/a><\/figure>\r\n\r\n\r\n\r\n

4 3 2 1<\/a><\/p>\r\n\r\n\r\n\r\n

Paul Auster<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Blood<\/a><\/figure>\r\n\r\n\r\n\r\n

Blood Song<\/a><\/p>\r\n\r\n\r\n\r\n

Anthony Ryan<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Witchwood Crown 1<\/a><\/p>\r\n\r\n\r\n\r\n

Tad Williams<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Osten<\/a><\/figure>\r\n\r\n\r\n\r\n

Osten Ard Saga<\/a><\/p>\r\n\r\n\r\n\r\n

Tad Williams<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Villa<\/a><\/figure>\r\n\r\n\r\n\r\n

Villa America<\/a><\/p>\r\n\r\n\r\n\r\n

Liza Klaussmann<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Hydrographer<\/a><\/p>\r\n\r\n\r\n\r\n

Allard Schr\u00f6der<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Quick,<\/a><\/figure>\r\n\r\n\r\n\r\n

Quick, Your Life<\/a><\/p>\r\n\r\n\r\n\r\n

Sylvie Schenk<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Longbourn<\/a><\/figure>\r\n\r\n\r\n\r\n

Longbourn<\/a><\/p>\r\n\r\n\r\n\r\n

Jo Baker<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"69<\/a><\/figure>\r\n\r\n\r\n\r\n

69 Hotel Rooms<\/a><\/p>\r\n\r\n\r\n\r\n

Michael Glawogger<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"S.<\/a><\/figure>\r\n\r\n\r\n\r\n

S. \u2013 Ship of Theseus<\/a><\/p>\r\n\r\n\r\n\r\n

J. J. Abrams und Doug Dorst<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Future of Mars<\/a><\/p>\r\n\r\n\r\n\r\n

Georg Klein<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Music Box: A Novella<\/a><\/p>\r\n\r\n\r\n\r\n

Ulrich Tukur<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Adultery<\/a><\/figure>\r\n\r\n\r\n\r\n

Adultery<\/a><\/p>\r\n\r\n\r\n\r\n

Paulo Coelho<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Selection<\/a><\/p>\r\n\r\n\r\n\r\n

Kiera Cass<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Dark<\/a><\/figure>\r\n\r\n\r\n\r\n

Dark Leap<\/a><\/p>\r\n\r\n\r\n\r\n

Leonie Swann<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"One<\/a><\/figure>\r\n\r\n\r\n\r\n

One Last Day of Infinity<\/a><\/p>\r\n\r\n\r\n\r\n

Lucien Deprijck<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Slow Regard of Silent Things<\/a><\/p>\r\n\r\n\r\n\r\n

Patrick Rothfuss<\/p>\r\n<\/div><\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

Adventure Gamebooks<\/h2>\r\n\r\n\r\n\r\n
\r\n
\r\n
\"Somorra<\/a><\/figure>\r\n\r\n\r\n\r\n

Somorra<\/a><\/p>\r\n\r\n\r\n\r\n

Christian & Florian Su\u00dfner<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Rider<\/a><\/figure>\r\n\r\n\r\n\r\n

Rider of the Black Sun<\/a><\/p>\r\n\r\n\r\n\r\n

Swen Harder<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Fire of the Moon<\/a><\/p>\r\n\r\n\r\n\r\n

Christian & Florian Su\u00dfner<\/p>\r\n<\/div><\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

Illustrated Books & Graphic Novels<\/h2>\r\n\r\n\r\n\r\n
\r\n
\r\n
\"Medusa<\/a><\/figure>\r\n\r\n\r\n\r\n

Medusa and Perseus<\/a><\/p>\r\n\r\n\r\n\r\n

Andr\u00e9 Breinbauer<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"France<\/a><\/figure>\r\n\r\n\r\n\r\n

France 1900<\/a><\/p>\r\n\r\n\r\n\r\n

Marc Walter & Sabine Arqu\u00e9<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"MoonFire<\/a><\/figure>\r\n\r\n\r\n\r\n

MoonFire<\/a><\/p>\r\n\r\n\r\n\r\n

Norman Mailer und Colum McCann<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"A<\/a><\/figure>\r\n\r\n\r\n\r\n

A Middle-earth Traveller<\/a><\/p>\r\n\r\n\r\n\r\n

John Howe<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Victor<\/a><\/figure>\r\n\r\n\r\n\r\n

Victor Hugo: In Exile<\/a><\/p>\r\n\r\n\r\n\r\n

Laurent Paturaud und Esther Gil<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Lady<\/a><\/figure>\r\n\r\n\r\n\r\n

Lady Mechanika<\/a><\/p>\r\n\r\n\r\n\r\n

Joe Benitez<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Monstress<\/a><\/figure>\r\n\r\n\r\n\r\n

Monstress<\/a><\/p>\r\n\r\n\r\n\r\n

Marjorie Liu & Sana Takeda<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Fox and the Star<\/a><\/p>\r\n\r\n\r\n\r\n

Coralie Bickford-Smith<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Marie<\/a><\/figure>\r\n\r\n\r\n\r\n

Marie Antoinette: The Secret Diary of a Queen<\/a><\/p>\r\n\r\n\r\n\r\n

Benjamin Lacombe<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Scotland<\/a><\/figure>\r\n\r\n\r\n\r\n

Scotland<\/a><\/p>\r\n\r\n\r\n\r\n

Dmitrij Leltschuk und Sirio Magnabosco<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Antarctic<\/a><\/figure>\r\n\r\n\r\n\r\n

Antarctic Wilderness: South Georgia<\/a><\/p>\r\n\r\n\r\n\r\n

Thies Matzen und Kicki Ericson<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Iceland<\/a><\/figure>\r\n\r\n\r\n\r\n

Iceland<\/a><\/p>\r\n\r\n\r\n\r\n

Heike Ollertz, Edgar Herbst<\/p>\r\n<\/div><\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

Non-Fiction<\/h2>\r\n\r\n\r\n\r\n
\r\n
\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Dreamed North<\/a><\/p>\r\n\r\n\r\n\r\n

Adwin de Kluyver<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Tom<\/a><\/figure>\r\n\r\n\r\n\r\n

Tom Crean: Unsung Hero of the Antarctic<\/a><\/p>\r\n\r\n\r\n\r\n

Michael Smith<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"No<\/a><\/figure>\r\n\r\n\r\n\r\n

No Man’s Land<\/a><\/p>\r\n\r\n\r\n\r\n

Adwin de Kluyver<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"A<\/a><\/figure>\r\n\r\n\r\n\r\n

A Brief Atlas of the Lighthouses at the End of the World<\/a><\/p>\r\n\r\n\r\n\r\n

Jos\u00e9 Luis Gonz\u00e1lez Mac\u00edas<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Message<\/a><\/figure>\r\n\r\n\r\n\r\n

Message in a Bottle<\/a><\/p>\r\n\r\n\r\n\r\n

Wolfgang Struck<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Atlas<\/a><\/figure>\r\n\r\n\r\n\r\n

Atlas of Maritime History and Legends<\/a><\/p>\r\n\r\n\r\n\r\n

Cyril Hofstein<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Planetarium<\/a><\/figure>\r\n\r\n\r\n\r\n

Planetarium<\/a><\/p>\r\n\r\n\r\n\r\n

Raman K. Prinja, Chris Wormell<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"An<\/a><\/figure>\r\n\r\n\r\n\r\n

An Inventory of Losses<\/a><\/p>\r\n\r\n\r\n\r\n

Judith Schalansky<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Treehouses<\/a><\/figure>\r\n\r\n\r\n\r\n

Treehouses<\/a><\/p>\r\n\r\n\r\n\r\n

Andreas Wenning<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Hotel<\/a><\/figure>\r\n\r\n\r\n\r\n

Hotel Florida<\/a><\/p>\r\n\r\n\r\n\r\n

Amanda Vaill<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"Surfaces<\/a><\/figure>\r\n\r\n\r\n\r\n

Surfaces and Essences<\/a><\/p>\r\n\r\n\r\n\r\n

Douglas Hofstadter, Emmanuel Sander<\/p>\r\n<\/div><\/div>\r\n\r\n\r\n\r\n

\r\n
\"The<\/a><\/figure>\r\n\r\n\r\n\r\n

The Art of Adultery<\/a><\/p>\r\n\r\n\r\n\r\n

Wolfgang Matz<\/p>\r\n<\/div><\/div>\r\n<\/div>\r\n<\/div><\/div>\r\n","protected":false},"excerpt":{"rendered":"

Classics A Winter in Majorca George Sand Notes from Underground Fjodor M. Dostojewski The Fall of the House of Usher Edgar Allan Poe Nanon George Sand Love and Salt Water Ethel Wilson The Lover Marguerite Duras The Handmaid’s Tale Margaret Atwood Dubliners James Joyce The Fruits of the Sea \u00c9mile Zola The Mystery of the … <\/p>\n

Continue reading “Reviews”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/without-sidebar-page.php","meta":{"slim_seo":{"title":"Rezensionen - lesestunden","description":"Klassiker Ein Winter auf Mallorca George Sand Aufzeichnungen aus dem Untergrund Fjodor M. Dostojewski Der Untergang des Hauses Usher Edgar Allan Poe Nanon Georg"},"footnotes":""},"class_list":["post-188","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.lesestunden.de\/en\/wp-json\/wp\/v2\/pages\/188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lesestunden.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lesestunden.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lesestunden.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lesestunden.de\/en\/wp-json\/wp\/v2\/comments?post=188"}],"version-history":[{"count":14,"href":"https:\/\/www.lesestunden.de\/en\/wp-json\/wp\/v2\/pages\/188\/revisions"}],"predecessor-version":[{"id":11986,"href":"https:\/\/www.lesestunden.de\/en\/wp-json\/wp\/v2\/pages\/188\/revisions\/11986"}],"wp:attachment":[{"href":"https:\/\/www.lesestunden.de\/en\/wp-json\/wp\/v2\/media?parent=188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}