“A comparable female character can hardly be found in literature. Effi Briest and Anna Karenina are lambs compared to this wolfish Italian woman.”<\/p><\/blockquote>\r\n\r\n\r\n\r\n
Of course, I had to get and read this short novella\u2014after all, the adulteress novels of the 19th century are premium fare. So I was quite curious to see whether this brief work could hold its own. Whether it truly does, you\u2019ll find out in the following lines.<\/p>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
This little book contains a single novella of about 80 pages, and those pages aren\u2019t particularly densely printed. A short piece, one that takes no more than 45 minutes to read\u2014perfect as a quick interlude during a train ride. I quite like such brief novellas. My reading choices are usually more extensive, so a small book like this is a pleasant diversion.<\/p>\r\n\r\n\r\n\r\n
The story itself is quickly summarized. The beautiful Livia marries an old man, primarily for his position and wealth, thus rising to the rank of a Contessa (comparable to a Countess). Stunning as she is, she\u2019s also a self-assured and haughty aristocrat who, out of boredom, takes a lover. She really turns it up a notch and competes quite well with Emma Bovary. Her chosen lover, however, turns out to be far from ideal, and things escalate dramatically\u2014surpassing even the outcomes that befall Emma, Anna, or Effi. The Italians really take it one step further.<\/p>\r\n\r\n\r\n\r\n
The novella is written in an entertaining and fluent style, with simple sentences. No artistic prose like Flaubert, no hefty tome like Tolstoy, and none of the interpretative openness of Fontane. It\u2019s actually quite straightforward. The story is told in the first person, though it doesn\u2019t read like a diary but rather like a normal narrative. We gain a clear insight into Livia\u2019s thoughts and emotions, and much like Flaubert\u2019s Emma, it\u2019s easy to understand her yearning for romance and her boredom with her elderly husband. But when you look at Anna, Emma, or Effi, their actions as adulterous women were always driven by powerful emotions\u2014feelings that swept them away. I didn\u2019t sense that in Livia. Although she\u2019s passionate, you always feel that, despite her emotionality, calculation plays a role. And that takes away some of the story\u2019s appeal and the realism that defines those other famous novels.<\/p>\r\n\r\n\r\n\r\n
Overall, it\u2019s a pleasant story that\u2019s easy to read, though it didn\u2019t quite captivate me. It\u2019s simply too short. In 80 pages, it\u2019s impossible to unfold the rich complexity of human thought and feeling. Tolstoy and Flaubert did that masterfully\u2014Boito doesn\u2019t come close. Still, this book is something of a hidden gem, as it serves as a nice teaser for what awaits in the great adultery novels.<\/p>\r\n\r\n\r\n\r\n
I also find the historical context quite fascinating. The great adultery novels of the second half of the 19th century were well-known bestsellers that deeply moved society. The fact that an Italian author also explored this central theme is noteworthy\u2014it shows that this concern with emancipation, and thus with progress through Enlightenment and the great social changes after the Revolution, was a truly European process that touched nearly every country on the continent. And if there has been one truly significant advance in the two centuries since the French Revolution, it\u2019s the emancipation of women, which for me\u2014alongside the understanding of a society built on individual freedom\u2014is one of the greatest (albeit regionally limited) achievements in human history.<\/p>\r\n\r\n\r\n\r\n Camillo Boito was previously unknown to me, and apparently literature wasn\u2019t his main focus. He published two collections of novellas. In the second, Nuove storielle vane<\/em>, this novella Senso<\/em> is included. Boito was actually an architect, and his most famous building is the Casa di Riposo per Musicisti in Milan\u2014a retirement home for musicians founded by the famous composer Verdi.<\/p>\r\n\r\n\r\n\r\n The political context in which this novella takes place is also noteworthy. Set during the Risorgimento\u2014the Italian War of Independence and the formation of the nation-state\u2014the story unfolds in turbulent and warlike times that also influence the course of the love affair. Livia clearly takes the Austrian side, and neither she nor her lover comes off well. The protagonists show little interest in the political maneuvers of the great powers; the focus is, of course, on the relationship between the two. Still, this backdrop gives the book a lively and authentic atmosphere.<\/p>\r\n\r\n\r\n\r\n Conclusion:<\/strong> This novella offers an enjoyable and entertaining story that, unfortunately, is far too short and thus fails to fully capture the emotional and psychological depth of a woman in love. Stylistically, it reads smoothly, and a fast-paced story about an adulteress from the pen of a 19th-century Italian author is certainly a hidden gem among the famous novels of the time. So\u2014not a masterpiece, but I liked it and found it thoroughly entertaining.<\/p>\r\n\r\n\r\n\r\n Book information:<\/strong> Sehnsucht: Das geheime Tagebuch der Contessa Livia<\/em> \u2022 Camillo Boito \u2022 dtv Verlag \u2022 104 pages \u2022 ISBN 9783423281201<\/p>\r\n\r\n","protected":false},"excerpt":{"rendered":" Actually, I usually enjoy reading publishers\u2019 previews as soon as they come out, but somehow this book slipped past me. Neither the title nor the author rang a bell, though this classic from 1883 intrigued me once I read the blurb: “A comparable female character can hardly be found in literature. Effi Briest and Anna … <\/p>\n![\"\"](\"https:\/\/www.lesestunden.de\/wp-content\/uploads\/2017\/05\/sehnsucht_1.jpg\")
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