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<\/a><\/figure>\r\n\r\n\r\n\r\nI\u2019ve read several books by Carlo Rovelli. I like secondary literature on physics and philosophy simply because it\u2019s truly entertaining, and the various interpretations of individual disciplines are also very closely tied to the author. Rovelli writes pleasantly, engagingly, and his books always have a specific idea, a punch line. In The Order of Time<\/em> the central message is that time, in fact, doesn\u2019t really exist. In the first part Rovelli shows why there is no linear time that runs the same everywhere and why there can be no universal simultaneity in the universe. In the second part he describes what the world looks like without time, and in the last part he draws conclusions from that. I must admit, I don\u2019t remember many details of the book\u2014which is great, because that means I can and will read it again. What has lodged firmly in my mind: our notion of time is wrong, it is not universally valid, and there is no simultaneity in this infinitely vast universe. When you read that people might discover life on exoplanets with the James Webb Space Telescope, it\u2019s not just that this life may have long since vanished due to the great distance\u2014no, that other world, if it ever existed, was never running in sync with ours. It\u2019s not that at this very moment an alien somewhere, far, far away, is pottering about on its planet, because there is no synchrony. A truly fascinating thought that keeps you pondering long after reading.<\/p>\r\n\r\n\r\n\r\n I love Maupassant and have devoured his novels and novellas. He has a wonderfully clear style and, unlike authors like Balzac, he leaves the reader entirely alone to interpret, dispensing with aphorisms or wise sayings. His novellas often leave the reader hanging, and only after the end do you truly grasp what kind of story it is. Why does Maupassant appear in this list? Quite simply: he wrote these books in the late 19th century, which is, well, a while ago. Two world wars separate us from that century, countless major inventions, the whole crazy digitization, the social changes brought about by the internet. And we all feel so modern, everything is different now, humans have progressed\u2014there are democracies in Europe at least, there is education, there is science that has enlightened us all. But when you read Maupassant\u2019s novellas, you realize that people over 100 years ago thought of themselves in exactly the same way. They also considered themselves progressive and thoroughly modern. What the novellas capture and reflect are events and human reactions that could be straight out of our time. In one novella a woman wants to commit insurance fraud\u2014a tiny one, a trifle\u2014but she tries it because she wants to squeeze something out. In another, the adult son and his wife think his mother has died and, that very night, they clear out her apartment because they fear the other siblings might take her belongings. Too bad the mother isn\u2019t dead and wakes up the next day. If you read these novellas\u2014how, in a conciliatory yet initially very bracing way, they expose people and society\u2014you experience how little human nature has changed in the last 150 years and how appropriate a certain measure of humility is. These books are read far too rarely; the arrogance of our times would quickly subside.<\/p>\r\n\r\n\r\n\r\n The book The Count of Monte Cristo<\/em> and its rough plot are almost universally known. I love it, and I even had it made as a deluxe unique edition<\/a>. Why does this book appear here? For one, it\u2019s a wonderful adventure I\u2019ll never forget. The way Edmond Dant\u00e8s escapes from the Ch\u00e2teau d\u2019If, the moment he looks down over night-time Rome, his encounters with other characters\u2014these and many other scenes are burned into my memory and appear before my mind\u2019s eye almost like my own memories. But there\u2019s another reason it\u2019s included. It touches on elemental thinking. It\u2019s about justice\u2014what is still morally acceptable and what is not. When the Count sits with his two young guests on a balcony in Rome, witnessing an execution, that scene isn\u2019t there merely to move the plot forward. The Count ensures that one of the condemned is pardoned. Only when the second man learns of that pardon does he lose his stoic composure and completely unravels. A typically human reaction, because humans can bear anything as long as enough people around them are bearing it too. It\u2019s scenes like these that stir you, and they come back to me when similar structures appear in everyday situations, reminding me of books like this masterpiece by Dumas. And The Count of Monte Cristo<\/em> is full of this abstracting gaze on human nature.<\/p>\r\n\r\n\r\n\r\n At university I took a semester of social psychology. Based on that, this nonfiction book didn\u2019t have many surprises left. But it absolutely belongs on this list. I think there are numerous books of this kind, so this one is only exemplary\u2014whichever you pick may not matter much. In The Power of Persuasion<\/em> it\u2019s all about the many manipulation techniques we encounter practically all the time in everyday life. The classic example starts with the supermarket, where you\u2019re greeted at the entrance by a produce section bathed in warm light\u2014colorful and fresh-looking\u2014to put us in a buying mood. Or priming, which puts our brain into a receptive mode; or the old sales trick with cheap, mid-priced, and very expensive options so that the buyer chooses the middle one\u2014the one meant to be sold. In short, a whole sack of ways we are manipulated in daily life\u2014and ways we manipulate ourselves. A very illuminating book that leaves its mark on the reader. I pause at free samples, and I immediately make for the exit when I meet an overly charming salesperson, to name just two examples.<\/p>\r\n\r\n\r\n\r\n Another truly great classic\u2014but in these books you simply encounter thoughts that leave a lasting mark. Which is no wonder, since these books have survived through the centuries for a reason. Oblomov<\/em> contains many fascinating elements. It has to be on this list for a particular reason: it\u2019s a wonderful character study that shows how childhood and its experiences extend across an entire life. Or, in the words of Ir\u00e8ne N\u00e9mirovsky: \u201cYou don\u2019t forgive your childhood. An unhappy childhood is as if your soul had died without a funeral. It groans for all eternity.\u201d<\/p>\r\n\r\n\r\n\r\n The quote is a bit bleak, and Oblomov<\/em> is anything but\u2014indeed I remember it as very humorous. Oblomov is a fabulously lazy nobleman who can\u2019t get up from his divan all day (I believe it actually takes him nearly 100 pages to rise from it). At first you wonder what\u2019s wrong with him; as the book progresses it becomes clear, because you learn more and more about Oblomov\u2019s past and what shapes his nature. It\u2019s an exaggerated picture, but each of us is also deeply shaped by our past, our childhood, and the people we\u2019ve met and who have accompanied us through life. This book makes that tangible and vivid, and for that I\u2019ve never forgotten it.<\/p>\r\n\r\n\r\n\r\n I\u2019ve already reviewed several books by B. Traven on this blog. He\u2019s a wonderful author, with an adventurous life story, and his works are full of striking and fascinating ideas. It hardly matters what you read by him\u2014every one of his books brims with thoughts you won\u2019t forget. The White Rose<\/em> is a book that thrilled me, one I can recommend most highly. It\u2019s about a hacienda owner who is robbed of his livelihood by ruthless capitalists. What is fascinating: Traven depicts both the life of the simple Indigenous man who owns the hacienda and that of the capitalist who has climbed the ladder with cunning within the economic system. The reader understands why this corporate boss acts as he does\u2014why he must act that way\u2014and that his lived reality compels him. So what about the corporations today that exploit resources through fracking without regard for environment and nature? What about the big food conglomerates making profits with dubious means? Or the energy crisis that the war in the middle of Europe has brought us? Traven finds apt words for these things, and when he describes how his protagonist deliberately conjures a crisis (in the book it\u2019s a coal shortage, not natural gas), it becomes clear that every crisis also has its profiteers who make a killing from it\u2014and that the panic it provokes is unwarranted. Anyone who wants to better understand today\u2019s politics should absolutely read Traven. Here\u2019s a quote as a small foretaste of what awaits the reader in this book:<\/p>\r\n\r\n\r\n\r\n Show a worker a twenty-dollar bill, and he will instantly become a capitalist. You don\u2019t believe it? Try it. Bonuses are more effective today than whips were in the past.<\/p>\r\n<\/blockquote>\r\n\r\n\r\n\r\n This book may be a bit hackneyed. I read it as a young teenager and loved it. It\u2019s certainly no insider tip. But for me it was a revelation: for the first time I became aware of how many people have wrestled with the big questions. After reading it, I went to the library and discovered the philosophy section for myself. I think it\u2019s also a good recommendation for adults, because it exudes that childlike, mysterious curiosity and connects it with the great questions people have always asked. And it\u2019s a wonderful panoramic tour of the world of philosophy. It\u2019s definitely more entertaining than, for example, the equally over-chewed philosophy primer The Philosophical Backstairs<\/em> (Die philosophische Hintertreppe<\/em>). If you haven\u2019t thought about the fundamentals in a long time and don\u2019t know the book, you can safely pick it up. And it\u2019s also a really good tip for your own children (I think the age recommendation is around 14).<\/p>\r\n\r\n\r\n\r\n This book was a recommendation from my professor in theoretical computer science. I really liked him and often chatted with him\u2014he was the very image of what you expect from a professor. Unfortunately, he smoked cigarettes and not a pipe. In any case, he was always disappointed that \u201cTheoretical Computer Science II\u201d never happened because everyone had already gone mad in part I. I found it fascinating because the big questions of theoretical computer science (for example the halting problem for Turing machines or the P vs. NP problem) are closely connected with mathematics. Countability and uncountability of sets, G\u00f6del\u2019s incompleteness theorem, and set theory\u2019s treatment of infinity are all bound up with it. The book casts the net wider still. It shows there\u2019s also a connection to the fugues of Johann Sebastian Bach and the seemingly impossible, perplexing drawings of M. C. Escher. Hofstadter calls them \u201cstrange loops.\u201d What fascinated me most was the arc he draws to the human brain and the (at least between-the-lines) question of how the brain may also be affected by these \u201cstrange loops.\u201d Whether the limits of computability and complexity theory might in some way apply to the brain. There\u2019s a strong connection there. The generation of images from synchronized neural activity also comes up, and the book contains so many thoughts and ideas that it set off a firework of reflections in me, and I subsequently read numerous books on these topics. G\u00f6del, Escher, Bach<\/em> is a masterpiece and, in this list, among the books I recommend most highly\u2014even if the reading is certainly a challenge for non\u2013computer-science nerds.<\/p>\r\n\r\n\r\n\r\n Regular readers of my blog know I love Gazdanov\u2019s books. But why does he appear in this post? In fact, which book you choose isn\u2019t that crucial; his other novels are clearly recommended in this context as well. Black Swans<\/em><\/a> is a collection of stories and, thanks to its range, a good tip. Gazdanov\u2019s books fit this list so well because his characters\u2014and he himself, due to his involuntary exile\u2014always occupy an outsider\u2019s role. In his works you encounter people who stand on the margins of society and look at the world with a very particular gaze. Characters who may seem somewhat alien, yet you can still empathize with them. In doing so, Gazdanov always touches on philosophical themes and portrays characters with highly individual and authentic traits. The impulse you receive as a reader from these stories is diffuse and latent, but it lingers and nudges you a little to the sidelines yourself\u2014which, in its own way, broadens the horizon.<\/p>\r\n\r\n\r\n\r\n Yes, I admit it, War and Peace<\/em><\/a> is, by virtue of its popularity, simply overdone. But that doesn\u2019t matter: it\u2019s a masterpiece, and it\u2019s so broad in scope that you can\u2019t read it without reflecting\u2014without starting to ponder. And if you don\u2019t like Tolstoy, you\u2019ll think about it in order to refute him. Many things have stayed with me, and in various situations in life I kept thinking of scenes from this epic. On one side you have the two main characters, Andrei Bolkonsky and Pierre Bezukhov. Both go through very different life situations, try themselves out in very different ways, and thus search for the meaning of their lives. I found that fascinating, and the question inevitably arises: what drives you, and to what extent do you see yourself in these figures? Beyond that I found the philosophy-of-history passages gripping, even if they can drag a bit. When Tolstoy describes how the great and powerful are in fact massively constrained in their freedom and lack the freedom of decision one might assume, it\u2019s absolutely plausible. Or when he explains that it wasn\u2019t Napoleon who placed himself at the head of the conquest of Europe, but that it was the people of that society\u2014that the collective necessarily brought him forth. Whether that\u2019s the truth or not isn\u2019t the point. You start thinking about these things, and in light of the current geopolitical situation these thoughts are important; they let you see the constellation from another perspective. Of course there\u2019s much more in the book, but even just for these aspects it\u2019s an essential work that shouldn\u2019t be missing here.<\/p>\r\n\r\n\r\n\r\n I don\u2019t think Nineteen Eighty-Four<\/em> by George Orwell can be recommended often enough. In view of what is happening these days with the data of billions of people\u2014many of whom handle it thoughtlessly\u2014this book feels more topical than ever. Looking at some countries, it seems more like a manual than a warning. In Nineteen Eighty-Four<\/em> Orwell not only depicts the total surveillance of human beings as a dystopia; he constructs a society that has achieved a stable state but works to the detriment of its inhabitants. Concepts such as doublethink and how the functionaries of his fictional state change language in order to influence people\u2019s thinking (very much in the spirit of Wittgenstein: \u201cThe limits of my language mean the limits of my world\u201d) are shocking and illuminating at the same time. If you observe how language is being tinkered with here too, you realize how current the book is for German readers as well. I don\u2019t think anyone can read Nineteen Eighty-Four<\/em> and remain unaffected. The book only entered the public domain a few years ago, and since then a number of new translations have appeared. I actually had a really old, worn-out edition, which I (fortunately) couldn\u2019t find anymore. That was reason enough for me to get the inexpensive yet handsome new edition from Nikol Verlag.<\/p>\r\n\r\n\r\n\r\n As the saying goes: the best comes last. I love Honor\u00e9 de Balzac, and I\u2019ve read more by him than by any other author. His life\u2019s work, The Human Comedy<\/em>, is unsurpassed; his influence on literature\u2014on the authors of his time and on subsequent literary eras right up to the present\u2014is undeniable. His oeuvre is gigantic; his novels then and now fascinate, entertain, and brim with philosophical wisdom. With a farsightedness and a topicality that fit his era\u2014the French Restoration\u2014as well as the present, portraying human thought and action in an abstracting way that has something universal. As an entry point I highly recommend Father Goriot<\/em>; it offers a wonderful glimpse into his work and conveys, in a highly entertaining way, numerous ideas that are incredibly inspiring. I often caught myself thinking, while reading him, that this is exactly how it is\u2014that he nailed the way people think and act. Of course he deliberately exaggerates to create entertainment value, but he also describes how humans have always ticked. Time and again you read headlines in the feuilleton like \u201cWhy it pays to read Balzac in times of crisis.\u201d Balzac wanted to get rich all his life; he tried many things, and this striving is reflected in his books. When he describes how C\u00e9sar Birotteau falls victim to real-estate speculation, it could just as well be ripped from today. Or when he portrays bankers doing their crooked deals, all the way up to the nobility, who naturally get in on the act too\u2014and how characters repeatedly try to break through the onion layers of social classes. It\u2019s entertaining, fascinating, and full of impulses\u2014thoughts you can\u2019t easily shake off. Read Balzac\u2014there\u2019s nothing more to add.<\/p>\r\n\r\n\r\n\r\n Conclusion:<\/strong> I hope you enjoyed my list and that you\u2019ve found a few good book tips. Feel free to tell me about the books that thrilled you, that hold a special place for you and have influenced your thinking. I\u2019m very happy about recommendations that come from the heart and from personal experience\u2014just like this selection.<\/p>\r\n\r\n","protected":false},"excerpt":{"rendered":" There are books that set something in motion within you, that give your view of the world a new direction. You don\u2019t come across such a book very often, and if you do, it\u2019s a pleasure to read and an incredible enrichment for oneself. Sometimes it\u2019s just individual things that fascinate, sometimes a series of … <\/p>\nNovellas by Guy de Maupassant<\/h2>\r\n\r\n\r\n\r\n
<\/a><\/figure>\r\n\r\n\r\n\r\nThe Count of Monte Cristo<\/em> by Alexandre Dumas<\/h2>\r\n\r\n\r\n\r\n
<\/a><\/figure>\r\n\r\n\r\n\r\nThe Power of Persuasion<\/em> by Robert Levine<\/h2>\r\n\r\n\r\n\r\n
<\/a><\/figure>\r\n\r\n\r\n\r\nOblomov<\/em> by Ivan Goncharov<\/h2>\r\n\r\n\r\n\r\n
<\/a><\/figure>\r\n\r\n\r\n\r\nThe White Rose<\/em> by B. Traven<\/h2>\r\n\r\n\r\n\r\n
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Sophie\u2019s World<\/em> by Jostein Gaarder<\/h2>\r\n\r\n\r\n\r\n
<\/a><\/figure>\r\n\r\n\r\n\r\nG\u00f6del, Escher, Bach: An Eternal Golden Braid<\/em> by Douglas Hofstadter<\/h2>\r\n\r\n\r\n\r\n
<\/a><\/figure>\r\n\r\n\r\n\r\nBlack Swans<\/em> by Gaito Gazdanov<\/h2>\r\n\r\n\r\n\r\n
<\/a><\/figure>\r\n\r\n\r\n\r\nWar and Peace<\/em> by Leo Tolstoy<\/h2>\r\n\r\n\r\n\r\n
<\/a><\/figure>\r\n\r\n\r\n\r\nNineteen Eighty-Four<\/em> by George Orwell<\/h2>\r\n\r\n\r\n\r\n
<\/a><\/figure>\r\n\r\n\r\n\r\nThe Human Comedy<\/em> by Honor\u00e9 de Balzac<\/h2>\r\n\r\n\r\n\r\n
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